Exhibitions
For Chaos They Yearn
Energy does not disappear or dissipate; it only changes form. In fact, since the Big Bang, the mass of the universe has been constant, only changing its shape and state of aggregation. Ella Littwitz revisits the ancient space around the Dead Sea and Mount Sodom, an area where the winds of Creation prevail. She explores the substances she finds there as being in the midst of change, a transformation in which the artistic act can take part.
Hadar Saifan: Patrol
In her works, Hadar Saifan functions as a soldier: she spots aircraft, clears routes, patrols evacuated settlements, and shoots with her camera. The invasion of Israel in October 2023 reinforced the role of civilians in protecting their homes—people who felt they had been abandoned by the state and chose to fill the vacuum left by the official institutions themselves.
Merav Sudaey: Of Goddess Born
Merav Sudaey's exhibition space was transformed into a cave with painted walls, a ritual site for an ancient goddess. She draws inspiration from wall paintings in Hindu and Buddhist temples and monasteries, replacing all the figures with the image of one woman, her own. This painterly installation thus consists of a stratified series of self-portraits in which Sudaey examines her naked body as an object for painting while looking into herself as a subject. Applying diluted paint to the canvas, she heaps transparent layers one atop the other, which conceal or reveal spectral underlayers of female nudity. The two-dimensional canvas is rendered three-dimensional, as it were, as additional painterly worlds are waiting to be discovered under the top layer of paint.
Lihie Talmor: From the Dark
The nuances, the different textures, the emanation of light or its concealment, what is highlighted and what is relegated to the shadows: in Lihie Talmor's works, every detail has a meaning and every action has a purpose. Her work is centered on a search for something that was lost, but left traces on site, despite the vicissitudes of time. The freedom inherent in printmaking enables reversal—transforming the documented into imaginary, and introducing tension between reproduction and fiction, between memory and invention. Through print, Talmor sheds light on dark chapters in the history of a place, uncovering truths and secrets hidden beneath the surface, and discussing the innate tensions between history, man, and place.
A New World of Paper - Gallery for Families
Collage is an important technique in art. It allows you to connect different worlds and create things that only exist in the imagination. To create a collage, you cut images from different sources, take them apart, and then put the pieces together in a new, surprising way. The odder the cuts and links, the more striking the resulting new creation.
Japanese Sushi Girls
On Friday January 19, 2024, "Japanese sushi girls" (Kaori, Naomi A., Yuri, Mami Ari and Naomi S.) gathered to prepare sushi for the soldiers at the front. For two hours, they put rice on seaweed, peeled avocado, added carrot, omelet, and cucumber, rolled seaweed, and cut it. One packs it and another writes greetings to the soldiers. The act is not intended to satisfy the hungry but to pamper them, to provide food that they are skilled in preparing, and which they usually prepare for their families. While preparing the sushi, there was a harmony and order among them that charmed me. The coordinated actions, the delicate acrobatics of fingers moving gracefully on seaweed, and the understanding that prevailed between them in silence, laughter, and talk, were beautiful to me, as were the ironed aprons and the Japanese handkerchiefs they wore on their heads. Six women, six life stories full of decisions, fears and hopes. Among the decisions is the decision to live in Israel, far from their parents, their families, their people, and their country. They decided to tie their fate to the fate of my people and show solidarity at this difficult and complex time. Their actions draw together a thread of grace, kindness, and magic.
Light on Skin
At the age of 17, Michael Sela (born 1998) decided to become the best photographer in the world. Equipped with a Pentax film camera his father gave him, he embarks on a journey for the sole purpose of photography. This journey also takes place in Japan (2019), which becomes his home. Sela's photographs express sentimental and magical emotions at the same time. His photographs are a means of connecting with a different, distant Japanese reality, but which are also very intimate. He knows most of the people he photographs, and for him photography is capturing small moments in their midst. The people closest to him are photographed in a given space, because a photograph is a sliver of space as it is a sliver of time.
Japanese Design Today 100
"Japanese Design Today "100” was first developed in 2004 and then toured the world for the following decade. Now we present the third edition of the exhibition, which again brings together superlative examples of Japanese design from a present-day perspective. The exhibition is organized according to thirteen categories among them - furniture, electronics, health, communication, daily life, tableware and cooking, transportation, architecture. The exhibition includes approximately 100 items, most of which are products released after 2000, but it also includes several masterpieces from earlier times in which we can trace the roots of contemporary Japanese design. From objects such as consumer products to intangible systems and services, the designs we use in our daily lives speak volumes about the evolution of our lifestyles and society.
Through the Creek I Saw the World | Odin Shadmi
A dystopian vision appeared to Odin Shadmi's mind after working in the hi-tech industry. In her vision, our world is at a critical junction in time: progress, in which we've invested such a huge effort, overtakes us, leaving behind nothing but small traces of authentic nature. Following a dichotomous life experience, moving between the world of hi-tech and progress and a connection to nature, Shadmi decided to act.
The Plentiful Sea | Art, Poetry, and Science in Marine Nature
Dr. Ramy Klein, a marine biologist, photographer, and writer, exemplifies the boundlessness of the sea by transcending the unseen barriers between scientific research, art, and poetry. To reflect the interplay between these three axes of intellect, vision, and emotion in Dr. Klein’s work, this exhibition is organized in three parts, showcasing his exploration of the marine environment through underwater photography.
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